![]() But none of those are as close to her as the friends and family who gathered to wish her off at the beginning of the movie. ![]() She has the kindness of Osono the bakery owner, the advice of plucky artist Ursula, and tentative friendship from Tombo. Even when she’s surrounded by friendly people, she’s ultimately alone. But in Kiki’s Delivery Service, loneliness isn’t explicitly in the forefront it slowly folds itself into Kiki’s life as the story stretches out. Studio Ghibli films often interrogate the notion of loneliness and emotional connection, centering on heroes that reluctantly strike out on their own, such as Sophie in Howl’s Moving Castle and Ashitaka in Princess Mononoke. Armed with her mother’s broom and her familiar, Jiji, Kiki lands in a new city full of new people and establishes herself as the resident witch. Studio Ghibli’s fourth feature-length film follows a young witch named Kiki who, per witch tradition, leaves home at age 13 to complete her training. Separating from a close family unit and making your way in a new place is lonely. But it also touches on a facet of growing up that society tends to overlook: It’s a lonely process. Hayao Miyazaki’s 1989 animated feature Kiki’s Delivery Service masterfully handles a lot of traditional topics around growing up and finding a path in the world. Read all of the stories on our Ghibli Guide page. With Studio Ghibli’s library now on digital and streaming services, we’ve surveyed the studio’s history, impact, and biggest themes.
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